In October of 2015, CBS launched “Supergirl” for a 13-episode order. I even published an article about it. Maybe it was a bid by the network to lure in younger viewers or maybe an appeal to older ones, but one thing was certain: this Supergirl was going to be a force for hope, good, and all that stuff. In a television and movie landscape now dominated by dark and sometimes murdering superheroes, this one was going to remain incorruptible in spite of many temptations.
You know — the way Superman used to be.
Actor Christopher Reeve was quoted with saying, “Once you choose hope, anything’s possible.” It isn’t clear if he was saying that in-character or not, but it was probably both.
Happy so far, CBS bumped the show to a full-series order: a total of 20 episodes. The show hasn’t been perfect; from a front-loaded overstuffed pilot to a world where science seems to serve the weekly plot and physics be damned, the one consistency has been Melissa Benoist. The “Glee” actress has so completely embodied the character of Supergirl and brought so much of her A-game, you’d think she was going for an Oscar in a feature film if she didn’t look so honest doing it. Considering that two other actresses on the show — Helen Slater and Laura Vandervoort — have both played the character, it’s hard now to imagine anyone better for the role than Melissa Benoist (yeah, she’s that good).
Continue reading “Supergirl Revisited: Darkness and Light in Storytelling”
Aram is an NSA coder and cracker who wears his heart on his sleeve. He’s a successful nerd working in the intelligence community in too-close proximity of female operatives waaaaay out of his league. Part of the problem is Aram himself; he hides nothing and expects others (read: SPIES) to do the same. But Aram also puts women he admires and respects — and often fancies — upon a pedestal, equating beauty and strength with self-imposed standards of nobility and purity (of character).
A few early Sunday thoughts with an eye toward writers.
The casting for Star Wars VII is out, and besides everyone’s favorite former bikini-clad slave princess Carrie Fisher, there is only one new female character in anything resembling a major role… out of SEVEN. Throw in the original Boy’s Club cast of six and that’s two out THIRTEEN principles. 
Say, isn’t this a J.J.Abrams production? What’s interesting is that his television programming (“Lost,” “Alias,” “Fringe”) have meaty roles for ladies and often many of them, but his film production credits (Star Trek, Cloverfield, Super 8, Mission Impossible) seems to only have room for a chosen few in an ensemble, often ONE. Playing devil’s advocate, maybe this is an informed choice: are relevant female characters too complex for most screenwriters to simply throw them up on-screen and present them believably in a film format? 
I’m not saying this is bad – I’m just asking if this is how it has to be.
