The Darkness and the Light in Storytelling: Contrast and Supergirl

I’m a horror writer. I prefer weird fiction. But not everything has to be blood, guts, and gore all the time; not everything has to be evil. In fact, the beauty of the Dark is that it balances the Light. Without the Light, there is no contrast.

So today I champion the Light.

Yes, I’m talking about general concepts. The Light is seen as being bright, positive, and giving of itself while the Dark is supposed to brood, call attention to the flaws of the world, and celebrate the non-conformist standards that feel a world away from childhood innocence. Ever notice how “good” is spoken of in simple terms while “bad” contains an inherit complexity, ideas that come with experience: life isn’t fair, good guys don’t always win, and not everyone gets the boy or girl?

DoctorHorribleCaptainHammerThe flip side of that coin is what those who embrace the Darkness often understand better than their counterparts: the Light is acceptance and being accepted, those who gain attention. Beautiful, strong, privileged, and loved…never mind it can all be a mask. “Dr. Horrible’s Sing-Along Blog” may be the best-ever example of showing heroes and villains in the simplest terms of how backwards things can get when our expectations are taught rather than learned. The hero is villain; the villain is the hero. We are meant to relate to being the loser who is destined to lose.

Storytelling is drama; it creates meaning to all of life’s randomness. Fate, Destiny, Kismet, and all that. But the Darkness is a place that the Light fears to tread, and rightly so. When love and affection is taken away; when the means to support yourself within the established system can’t be meant; when life must be lived on the fringe and fought for every day both within and without.
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