Whether you love or hate the Bard…or vampires.
When I expanded my stand-alone vampire novel into a book series, it required me to re-envision the first novel as “part one” to create a story progression (don’t you hate when a great story falls apart at the end?) I tried to think of The Matriarch as a trilogy, but it was going to take four books to get to the ending I wanted and wrap everything up with a bow.
This meant each self-contained novel – intended to be enjoyable unto itself – had to seed the entire arc to show the main character progression, especially in her capabilities and the challenges she would have to overcome. Those knowing the story line of my current work in progress, the untitled third, have dubbed it “Shakespearean” in reference to characters withholding critical information that escalates the situation. The Matriarch: Guardians did this, too, but to a much smaller degree.
It’s a classic and flexible trope: if Boy-X would have just told Girl-Y about Suitor-3, Villain-Z wouldn’t have tried to kill Girl-Y over the perceived slight from Boy-X. Then there’s my favorite: the character who knows everybody’s secrets but keeps them to manipulate others and/or just enjoy the show. If we would all just learn to talk to one another, we wouldn’t have to go around threatening to kill everyone…I know, I know: where’s the fun in that?
The first draft of The Matriarch III is nearly complete! I credit Linda S. Cowden with the title of this post; I love my wife!